There is something beautiful about the one that doesn’t quite fit.
The Anomaly is about the rare ones—the ones who move through the world a little differently, who were never particularly good at disappearing into the crowd. What can feel like an oddity in one place can become the very thing that makes us extraordinary in another.
The solitary crane stands quietly against a field of layered blue, its body filled with delicate indigo florals inspired by my grandmother’s china plates. Ghostlike botanicals drift in and out of the background, while imperfect marks, splatters and glimpses of warm underpainting keep the piece loose, weathered and alive.
It is both graceful and strange. Familiar and unexpected. A reminder that perhaps the things that separate us from the crowd are not things to soften or hide—but the very things worth keeping.
Details 30 x 40 in, Original mixed-media painting on gallery-wrapped canvas, Framed in a slim natural-toned metal floater frame, One of a kind, Ready to hang
There is something beautiful about the one that doesn’t quite fit.
The Anomaly is about the rare ones—the ones who move through the world a little differently, who were never particularly good at disappearing into the crowd. What can feel like an oddity in one place can become the very thing that makes us extraordinary in another.
The solitary crane stands quietly against a field of layered blue, its body filled with delicate indigo florals inspired by my grandmother’s china plates. Ghostlike botanicals drift in and out of the background, while imperfect marks, splatters and glimpses of warm underpainting keep the piece loose, weathered and alive.
It is both graceful and strange. Familiar and unexpected. A reminder that perhaps the things that separate us from the crowd are not things to soften or hide—but the very things worth keeping.
Details 30 x 40 in, Original mixed-media painting on gallery-wrapped canvas, Framed in a slim natural-toned metal floater frame, One of a kind, Ready to hang